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CONCEPT

This project is a consideration of the prevalence

of copying in the fashion industry, where no

copyright exists.  We consider copying inherent

to human nature and communication but aim to

grow the potential for copying to produce and

promote creativity.  More importantly, we want

to raise discussion, especially now, when the

subject of copyrights in fashion is coming

to the Senate floor in the US in the form of the

'Innovative Design Protection and Piracy

Prevention Act (S.3728).'


When the process becomes like digital

sampling and remixing in music, the whole

story changes. New processes are instigated;

"copifying", the act of copying and improving or

even beautifying an existing design;

"copivising," copying and revising a clothing

item seen on the street by altering it to fit one's

particular desires and proportions; and

"copivating," smartening up and revitalizing a

common outfit according to the needs of the

moment.

 
The decision of what to copy is not in the hands

of large corporations alone - the choice of what

to copy and how to modify it is in your hands! 

Copification is about fashion evolving in

unexpected ways.

 

TECHNOLOGY


We believe that the capacities of textile

fabrication through 3D printing will catch up with

our vision. Rapid prototyping technology allows

us to actualize the digital designs. We emphasize

gradient changes of thickness and hardness

within the same garment, a property difficult to

achieve with traditional garment-making

techniques, but perfectly suited for development

with 3D software.

 
Another way machine technology is involved in

the process is by use of a handheld 3D scanner

to acquire 3D information about existing pieces

of clothing. Here the scanner "decides" what to

copy.  Essentially, this can be the starting point

for the process of copifying because sometimes

a machine can make surprisingly

interesting choices.

 
Alternatively, to activate the copying instincts of

people on the street, we embed within our

garments a barcode containing the 3D file

from which each piece is made.  The barcode

can be read by free smartphone applications

and each is linked to this website from which

the file of the model can be downloaded;

allowing one to follow up the sentence 'I love

your dress!' with 'Can I copy it?' 


This moment is conceptually very exciting for us

because it is the core moment of debate. You

can basically do anything with the file, with the

design, even get it printed. The idea is to copify

it. Perhaps a different collar, or sleeve profile

will suit your design vision? Wanna make a

digital fashion remix?

 


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